Jeong Kyung-woon, Reem Abbas, Huiyeon Choi
Rising to the Surface: Practicing Solidarity examines the tidal currents of people’s movements, the recurring spectre of oppressive regimes, and the inventive tools of current citizen protests. This forum brings together scholars, artists, activists, and civil society actors from around the world to address grassroots struggles in a discussion of shared vocabularies on strategies of public dissent, civic advocacy, healing public trauma, indigenous solidarity, and environmental activism. Online and on-site sessions will focus on algorithmic violence and digital surveillance; struggles to protect land and waters from extractive infrastructures; and the feminist legacy of democratization movements from the 1980s onward.
The Opening Forum interweaves the biennale’s generative topics, examining the spectrum of the extended mind and challenging the structural divisions imposed upon corporeal, technological, and spiritual intelligence. This program invites scientists, philosophers, system thinkers, and researchers to discuss cosmotechnics, neuroscience and data technology, healing practices, and shamanism. Multiple choreographies test the contours of resistance and resilience and begin with a procession scored in collaboration with participating artists that navigates various theoretical, scientific, physical, sonic, and spiritual vocabularies of communality. Embracing a fluid grammar through energy mobilization activities and motivations, these inclusive choreographies are primarily inspired by techniques originating across Asia.
Minds Rising, Spirits Tuning intends to consider critically questions of scale, sustainability, and value intimacy to ensure that the conversations and shared learning generated by the collective labor of biennale production can be accessed by wider audiences. Several of the artists and team members conducting site visits and research in Gwangju and nearby Jeju experienced recent political upheaval and people’s movements in their own regions. The site visits in Gwangju included meetings at the 5.18 Archive, May Mothers House, and Gwangju Trauma Centre, among others. While artistic works will not directly connect with these sites, it is important to us that the research process includes the experience of crucial local sites of mourning, dissent, care, and recovery.